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“Now we’re focused only on the art, not on the fact that it was thrown away, not that it was discovered by a skateboarder car mechanic, not on anything else,” Falk said. The fact that his work was nearly lost forever, he said, merely helps shine a light on it.
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“And I’d like to get him into some major museums maybe, just get him the recognition he deserved.”įalk said Hines should be remembered as an important American artist for how he fits in the timeline of abstract expressionism and his unique twist on the technique of wrapping. “I want to get this artist recognition,” he said. Hines’ paintings, most of which are owned by Whipple, will be offered for sale at the exhibit, with the larger pieces expected to sell for about $20,000 each, Falk said.īut Whipple says it’s not about getting rich from something that was nearly lost to a landfill. The family knew the artwork had value - but without critical recognition, they made the painful decision to abandon it all, said Falk, the art historian. Had I not decided to throw out the art, none of this would have happened.” “It had to be someone from outside the art world. “I think that it is fate that Jared would discover my father’s work,” Jonathan Hines said. Jonathan Hines is now working with Whipple, adding other pieces of his father’s work to the exhibit. That research led him back to the 1980 Washington Square arch installation, to a book about Hines by his wife, and eventually to Falk and Hines’ two sons, one of whom, Jonathan Hines, is also an artist. That’s when the Google searching began and he went down what he called a “rabbit hole” for 4 1/2 years learning about art and knocking on gallery doors, he said.
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Hines, but Whipple eventually found one small canvas, painted in 1961, that included the artist’s full name: “Francis Mattson Hines.” “But at the same time, you would never think there was any type of importance or value there, because they are all in a dumpster,” he said.
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When he began taking the plastic covering off the pieces, he started to realize he’d stumbled onto something special. Whipple figured he could use the art in a Halloween display, or to hang at his indoor skateboarding facility. Two 40-yard (37-meter) dumpsters filled with sculptures and paintings had already been hauled away to a landfill when Jared Whipple, a Waterbury-area mechanic and skateboard enthusiast, got a call from a friend, George Martin, who was helping dispose of the art.īecause some of the paintings included images of car parts, Martin thought Whipple might like them. Hines’ work remained stored in Watertown until after his death at the age of 96, when his estate decided to dispose of the massive collection because the barn’s owner was selling the property. In his sculptures and paintings, he stretched fabric or other material over or through them to create a sense of tension and dynamic energy, Taggart said. Hines used his wrapping technique in other installations, including at JFK Airport and the Port Authority bus terminal. “In today’s art world there is a definite interest in different mediums - textiles, fabrics and ceramics - people are trying to find new and innovative ways to present contemporary art,” Taggart said. Taggart, the gallery’s president and an art collector, said he’d “never seen anything like it before.” And if you don’t have a gallery selling your work, it’s going to pile up a lot.” “Once he was done, he was done and on to the next project. “For him it was like, ‘OK, I did that, that was cool, I’ll put it away,’” Falk said. So for decades, once he finished a piece, he would ship it from his New York studio to a barn he was renting in Watertown, Connecticut, where it would be wrapped in plastic and stored. Fox department store, and his personal art was about the process, not about selling or displaying his work, said Peter Hastings Falk, an art historian who is helping curate the exhibit. Hines made a good living as an illustrator for magazines and the G. A smaller exhibit will be shown simultaneously at the gallery’s flagship location in New York City. The trove of paintings, most using his signature wrapping style, was found a year later - and that’s where the artist’s path to rediscovery began.Īn exhibit of the found art will open May 5 at the Hollis Taggart galley in Southport, Connecticut, which is known for showing the works of lost or forgotten artists. But he kept a low profile and drifted out of the art world’s spotlight, passing away in 2016. Hines, an abstract expressionist, garnered some recognition in 1980 by using fabric to wrap the arch in New York City’s Washington Square in an intricate crisscross pattern.
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After fading into obscurity, the late artist Francis Hines is gaining new attention after a car mechanic rescued hundreds of his paintings from a dumpster in Connecticut.